This performance is based on Larry Beekman’s www.larrybeekman.com arrangement of “Time After Time”, by Cyndi Lauper and Rob Hyman. It was included in the 1986 book, “Popular HIts for Classical Guitar”, which is unfortunately now out of print. This is one of my favorite arrangements from that book; its a tune that is fun to elaborate on. The tuning of the guitar is dropped D.

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Competition Performance – Competitor 19 The Canadian Fingerstyle Guitar Championship August 1, 2010 Loughborough Lake, Kingston, Ontario I recorded a few of the first round performances, starting with competitor 15. Apologies to those I missed, but I have no official involvement with the festival. Competitor 19 was Derek Sammak from Englishtown, New Jersey. This is an original tune called “Too Young for Love Songs”. He has another version on his YouTube channel. Derek made it into the finals. More information: www.canadianguitarfestival.com ——————————– Canon HV20 – HDV mode AT 822 stereo mic

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system again.Amazing guitar solo

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Rolling Stones performs live recital with Paul McCartney appearance at Chicago, great guitar solo (awesome performance)

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How to play riff 2 for playing blues guitar in E; get professional tips and instruction from an expert on playing guitar and music theory in this free music lesson video. Expert: Stephen Haendiges Bio: Stephen Haendiges is a seasoned musician, guitarist, teacher, composer and performer with more than 15 years of experience. Filmmaker: Christopher Rokosz

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Guitar lesson from Yngwie Malmsteen about Blues Solos You may check out my other videos or those of my band for example: www.youtube.com Have fun & Rock on Marcy/Ever Since December

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Choro, havana slide, and guitar on fire played by Ferda (violin)& Onur (guitar)CENGİZ

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7#9 chord combined with minor pentatonic root on”A” string

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www.UltimateGuitarSchool.com FREE Guitar Lessons! Discover how to play 10000 Maniacs’ “Peace Train” Guitar Solo and other amazing guitar solos for FREE at Ultimate Guitar School. Access the 10000 Maniacs’ video lessons and tricks here www.UltimateGuitarSchool.com

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FULL COURSE: truefire.com Join TrueFire for free! – www.truefire.com On Twitter – www.twitter.com On Facebook – www.truefire.com One of the great things about soloing over dominant seventh chords—and something that is certainly an essential technique when improvising on a slow blues—is that players are free to exploit the difference in quality between the minor third and the major third. The scale most closely associated with dominant seventh chords is Mixolydian; in G, G Mixolydian is spelled GABCDEF, with B as the major third. The minor third is one half step lower, Bb; this pitch can also be thought of as the b9 (flatted ninth). In bar 1 of the solo, I begin on beat one by hammering on from the minor to the major third, and, on beat two, incorporate both the minor and the major third. Be aware of the difference in quality between these intervals and try to take advantage of that difference while crafting your solos.

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